The ARRI L7-C Color LED Fresnel (Hanging) is at the vanguard of a new generation of lighting equipment that can be seamlessly integrated into the studio or onto the set without sacrificing features or performance.
The key characteristic of any Fresnel is flood to spot capability and the L7-C meets and exceeds expectations with an impressive beam angle of 15-50°. There's simply no learning curve or accommodation to be made when swapping out L7s fixture for fixture with standard Fresnels. In fact, you're not going to be moving them around or juggling scrims in high places thanks to the 100 - 0% dimming capability.
The L7-C is a "fully tune-able" white light source, too, allowing you to match existing fixtures from a warm 2,800K to ice-blue 10,000K. Light intensity as well as color temperature and +/- green is controllable via DMX or RDM. Matching specific color shades and skin tones is also possible with the full gamut color mixing feature. This model also features an on-board controller with an LCD panel for operators who prefer to make these adjustments locally rather than remotely. And the L7-C can be seen but not heard thanks hybrid cooling that allows the user to choose between passive cooling or quiet db20 fan cooling.
The L7-C LED source produces 1,000W of light while drawing only 220W for a savings of a whopping 75% over similar output tungsten lights. And low heat means lower AC bills in the studio. You can actually run 9 L7s off of a 20A, 110V outlet as opposed to two 1,000W or three 650W standard fixtures. When it comes to performance and features, the L7-C might just be the perfect light source.
Optical System | Focusable Fresnel |
Beam Angle | 15 - 50°, continuously focusable (half peak angle) |
Mount | Hanging model Sliding stirrup high-strength tilt lock, 1/1/8" (28.5 mm) stud |
Operating Voltage | 100 - 264VAC, 50 - 60Hz |
Power Consumption | 160W Nominal, 220W maximum Output is 1.0K equivalent |
Connector Type | Ships with bare ends |
Color Range | White light: 2,800 - 10,000K Colored light: full RGB+W color gamut with hue and saturation control Green-magenta adjustment: continuously variable |
CRI | 95 @ 3,200 - 6,500K |
Dimming | Built-in, 0 - 100% continuous |
Control | 5-Pin DMX in and through, On-board controller Control Management Device (RDM): DMX functions, hour counter and standard RDM commands Mini-USB interface: DMX functions, fixture status and firmware upgrade through PC software |
Photometrics | 3,200K @ 9.8' (3.0 m): 430 fc (4,570 lux) @ 15° spot @ 9.8' (3.0 m): 128 fc (1,370 lux) @ 30° middle @ 9.8' (3.0 m): 56 fc (596 lux) @ 50° flood @ 16.4' (5.0 m): 154 fc (1,650 lux) @ 15° spot @ 16.4' (5.0 m): 154 fc (1,650 lux) @ 30° middle @ 16.4' (5.0 m): 20 fc (214 lux) @ 50° spot @ 23' (7.0 m): 79 fc (840 lux) @ 15° spot @ 23' (7.0 m): 23 fc (251 lux) @ 30° middle @ 23' (7.0 m): 10 fc (109 lux) @ 50° spot @ 29.5' (9.0 m): 48 fc (508 lux) @ 15° spot @ 29.5' (9.0 m): 14 fc (152 lux) @ 30° middle @ 29.5' (9.0 m): 6.0 fc (66 lux) @ 50° spot 5,600K @ 9.8' (3.0 m): 484 fc (5,180 lux) @ 15° spot @ 9.8' (3.0 m): 144 fc (1,550 lux) @ 30° middle @ 9.8' (3.0 m): 62 fc (688 lux) @ 50° flood @ 16.4' (5.0 m): 174 fc (1,870 lux) @ 15° spot @ 16.4' (5.0 m): 52 fc (556 lux) @ 30° middle @ 16.4' (5.0 m): 22 fc (240 lux) @ 50° spot @ 23' (7.0 m): 89 fc (951 lux) @ 15° spot @ 23' (7.0 m): 26 fc (283 lux) @ 30° middle @ 23' (7.0 m): 11 fc (123 lux) @ 50° spot @ 29.5' (9.0 m): 54 fc (576 lux) @ 15° spot @ 29.5' (9.0 m): 16 fc (171 lux) @ 30° middle @ 29.5' (9.0 m): 7.0 fc (74 lux) @ 50° spot |
Finish | Blue-painted with brushed aluminum |
IP Rating | IP20 |
Operating Temperature | 32 to 95°F (0 to 35°C) |
Lamp Life | 50,000 hours |
Certifications | CE, GS, FCC |
Dimensions | 14.7" x 16.6" x 15.1" - 19.1" (flood - spot focus) 37.3 x 42.1 x 38.35 - 48.5 mm (flood - spot focus) Lens (only) diameter: 7.0" (175 mm) |
Weight | 24 lb (10.9 kg) |
Package Weight | 28.8 lb |
Box Dimensions (LxWxH) | 18.5 x 16.0 x 15.5" |
The ARRI L7-C Color LED Fresnel (Hanging) is at the vanguard of a new generation of lighting equipment that can be seamlessly integrated into the studio or onto the set without sacrificing features or performance.
The key characteristic of any Fresnel is flood to spot capability and the L7-C meets and exceeds expectations with an impressive beam angle of 15-50°. There's simply no learning curve or accommodation to be made when swapping out L7s fixture for fixture with standard Fresnels. In fact, you're not going to be moving them around or juggling scrims in high places thanks to the 100 - 0% dimming capability.
The L7-C is a "fully tune-able" white light source, too, allowing you to match existing fixtures from a warm 2,800K to ice-blue 10,000K. Light intensity as well as color temperature and +/- green is controllable via DMX or RDM. Matching specific color shades and skin tones is also possible with the full gamut color mixing feature. This model also features an on-board controller with an LCD panel for operators who prefer to make these adjustments locally rather than remotely. And the L7-C can be seen but not heard thanks hybrid cooling that allows the user to choose between passive cooling or quiet db20 fan cooling.
The L7-C LED source produces 1,000W of light while drawing only 220W for a savings of a whopping 75% over similar output tungsten lights. And low heat means lower AC bills in the studio. You can actually run 9 L7s off of a 20A, 110V outlet as opposed to two 1,000W or three 650W standard fixtures. When it comes to performance and features, the L7-C might just be the perfect light source.