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Product Description
Behringer XENYX QX1222USB 16-Input USB Audio Mixer with Effects Price & Specs
The Behringer XENYX QX1222USB – 16-Input USB Audio Mixer with Effects is a 16-input 2/2-bus audio mixer with an integrated USB computer audio interface. It enables you to mix and shape the sound of multiple audio signals and route the audio to several outputs.
four XENYX microphone preamps:
The mixer features four XENYX microphone preamps with +48V phantom power, British-style channel EQ, a 7-band graphic EQ, four easy-to-use one-knob compressors, a Klark Teknik effects engine with 32 presets, and is compatible with Behringer’s 2.4 GHz wireless microphones.
QX1222USB for small and medium-sized audio projects:
It is suitable for small and medium-sized audio projects. There are two aux sends on every channel (which enable you to route individual channels to stage monitors or external effects), and two stereo aux returns. Every channel features a 3-band British-style EQ with a swept mid, which can really help you make vocals and instruments stand out in a mix. The XPQ 3D stereo surround effect allows you to make a broader stereo image.
QX1222USB Features:
- Low-noise, high-headroom analog mixer
- Four phantom-powered XENYX microphone preamps
- Four compressors with easy “one-knob” functionality and control LED for professional vocal and instrumental sound
- British-style 3-band EQs for warm and musical sound
- Full-size faders for MON and FX Sends for precise control
- Klark Teknik effects processor with 32 editable presets of effects including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function, and storable user parameter settings
- Includes XPQ 3D Stereo Surround effect for more lively and engaging sound
- Includes Voice Canceller effect for removing vocals from music so that you can sing the lead
- Includes FBQ Feedback Detection for rejecting unwanted noise
- Built-in stereo USB audio interface to connect directly to a computer; includes audio recording, editing, and podcasting software plus 150 instrument and effect plug-ins and ultra-low latency driver
- Compatible with 2.4 GHz Behringer wireless microphone system
- Two aux sends per channel: one pre/post fader switchable for monitoring/FX applications, one post fader (for internal FX or as external send)
- Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels
- Seven-band stereo graphic equalizer allows you to shape your overall sound to suit the acoustics of your room
- Control room and headphone outputs with multi-input source matrix
- Long-wearing full-sized 60mm faders and sealed rotary controls
- Switching power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for saving energy
| Total # Of Inputs | 16 |
| Input Channels | Mono: 4 Stereo: 4 |
| Preamplifier | 4x XENYX |
| USB Connection | 2-in/2-out |
| Buses | Mix: 2/2 |
| Phantom Power | +48 V |
| EQ Type | Mono channel 3-band |
| Compressor | 4 |
| Wireless (Features) | Built-in compatibility with Behringer wireless microphone system |
| AUX Sends | Per channel: 1/1 |
| AUX Returns | 2 stereo returns |
| Metering | 12-segment stereo LED meters Clip LEDs on every channel |
| Type | 6x XLR connector, balanced, discrete input circuit |
| Mic Input Noise (E.I.N.) | From 20 to 20,000 Hz At 0 Ω source resistance: -134 dB/-136 dB A-weightedAt 50 Ω source resistance: -131 dB/-133 dB A-weightedAt 150 Ω source resistance: -129 dB/-131 dB A-weighted |
| Frequency Response | Preamp: < 10 to 150,000 Hz (-1 dB) < 10 to 200,000 Hz (-3 dB)Mic input to main output: <10 to 160,000 Hz: ± 3 dB |
| Dynamic Range | Not specified by the manufacturer |
| Gain Range | +10 to +60 dB |
| Maximum Input Level | +12 dBu at +10 dB gain |
| Impedance | 2 kΩ balanced |
| Signal-to-Noise Ratio | 107 dB / 110 dB A-weighted (0 dBu In @ +22 dB gain) |
| Total Harmonic Distortion (THD) | 0.005% / 0.004% A-weighted |
| Phantom Power | Switchable, +48 V |
| Type | 1/4″ TRS connector, balanced |
| Impedance | 20 kΩ balanced
10 kΩ unbalanced |
| Gain Range | -10 dB to +40 dB |
| Maximum Input Level | 30 dBu |
| Type | 4x 1/4″ TRS connector, unbalanced |
| Impedance | 20 kΩ balanced 10 kΩ unbalanced |
| Gain Range | -20 dB to +20 dB |
| Maximum Input Level | +22 dBu |
| Tape I/O | Type: RCA Connectors
Impedance: 10 kΩ Maximum Input Level: +22 dBu |
| EQ Type | 3-Band Semi-Parametric Low: 80 Hz / ± 15 dB Mid: 2,500 Hz; / ± 15 dB High: 12,500 Hz / ± 15 dB |
| Type | 1/4″ TRS connector, unbalanced |
| Maximum Input Level | +22 dBu |
| AUX Sends | Type: 2x 1/4″ TRS connector, unbalanced
Impedance: 120 Ω Maximum Output Level: +22 dBu |
| AUX Returns | Type: 2x 1/4″ TRS connector, unbalanced
Impedance: 20 kΩ balanced, 10 kΩ unbalanced Maximum Input Level: +22 dBu |
| Main Outputs | Type: XLR, balanced
Impedance: 240 Ω symmetrical, 120 Ω unbalanced Maximum Output Level: +28 dBu |
| Control Room Outputs | Type: 1/4″ TRS connector, balanced
Impedance: 120 Ω Maximum Output Level: +22 dBu |
| Headphone Outputs | Type: 1/4″ TRS connector, unbalanced
Impedance: 25 Ω Maximum Output Level: +21 dBu at 150 Ω (+25 dBm) |
| Stereo Tape Outputs/Type | Type: RCA connectors
Impedance: 1 kΩ Maximum Output Level: +22 dBU |
| DSP | Klark Teknik Converter: 24-bit Sigma-Delta, 64-/128-times oversamplingSampling rate: 40 kHz |
| Noise | Main mix at -∞ with channel fader at -∞: -100 dB / -102 dB A-weighted
Main mix at 0 dB with channel fader at -∞: -86 dB / -88 dB A-weighted Main mix at 0 dB with channel fader at 0 dB: -81 dB / -83 dB A-weighted |
| USB | Audio: Stereo In/Out
Connector: Type B Converter: 16-bit Sample Rate: 48 kHz |
| Mains | 100 to 240 V, 50/60 Hz |
| Power Consumption | 40 W |
| Fuse | T 1.6 A H 250 V |
| Connection | Standard IEC receptacle |
| Dimensions (W x D x H) | 14.6 x 13.3 x 3.5″ (370 x 338 x 90 mm) |
| Weight | 8.4 lb (3.8 kg) |
| Package Weight | 10.55 lb |
| Box Dimensions (LxWxH) | 18.5 x 16.5 x 6″ |
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